New Winsor & Newton Field Plus Set

At 9.9 ounces, this new Field Set from Winsor & Newton is a complete re-design of the original Field Box that I bought in 1981, and that I still use. The design is ingenious, and is the perfect companion for plein air painting, will fit in your pocket when you are on your travels, and also perfect for the studio.

Made of durable plastic, it contains two slide out mixing trays, top and bottom, a brush, two mixing cups, a plastic bottle that holds 60 ml of water, and 12 Cotman Watercolor Pans.

With no messy tubes of paint to contend with, the watercolor cakes (pans) last a long time, I still have not needed to replace any of my pans in my set after much use. You can also buy a wide assortment of extra pans of your favorite colors, and mix and match as you go.

And best of all, the price is half of what I paid for the original Winsor & Newton Field Box.

This is the perfect gift for you, or the artist in your family.

Terry Krysak is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.com

Elizabeth Gilbert: A New Way To Think About Creativity

This is too good not to share, and a big thank you to Marlene Hargreaves for posting it on Facebook.

Elizabeth Gilbert author of Eat Pray Love gives a wonderful talk about Genius, and how this aspect of creativity has become a burden on artists ever since the birth of the Renaissance.

Her research across history brought her to the teachings of the ancient Greeks and Romans who believed that creativity was a divine attendant spirit that came to human beings from some distant unknowable source, and did not come from human beings themselves.

Her talk is insightful, humorous and full of knowledge of not only the source of creativity but shares some wonderful stories about how and when creativity comes through the artist.

For some this may sound radical, for me I am overjoyed that another wonderful soul living on the planet at the same time as me has confirmed something I have always believed in.

Milton Glaser Draws and Lectures

MILTON GLASER DRAWS & LECTURES from C. Coy on Vimeo.

Here is a great short video by Miton Glaser where he speaks about the importance of your ability to draw if you are pursuing any kind of artistic endeavor. Thanks to Jo Castillo for sharing this link on her blog.

This takes me back to my first year in art school in 1971 where we were required to attend two full days of drawing each week throughout that year. We had two different instructors and class one was for realistic, tight drawing where we set up still life, or had models, or sometimes had to draw from memory. Photographs and using a ruler were never allowed.

The second class was for expressive drawing where we were always chastised for tight mechanical drawings and always encouraged to loosen up and be more expressive.

In order to complete the hand in assignments for each class I had to draw every day throughout the 7 days of the week which was not a bad thing. We also were required to use many types of medium such as conte, chalk, and inks as well as charcoal, pencil, and sometimes even ball point pen or a brush.

The point here is that if you can draw well, you an do almost anything when it comes to art. Drawing truly is the foundation of all good artworks.

One of the books we were required to buy in first year was Drawing On The Right Side Of The Brain which in my opinion is the best book ever written on the subject. Betty Edwards goes through a good deal of very good exercises to do that will make you better at drawing, and is well worth getting.

Safety-What Every Artist Should Be Concerned About

Half Mask Air Purifying Respirator
Image Source Wikimedia
Public Domain

Nothing in this article should be considered as medical advice. However in my last job, one of the hats that I wore was Safety Specialist where I was knowledgeable in WHMIS (Canada) HMIS (US) TDG, and researched and purchased a wide variety of personal protection products on a regular basis.

One of the common comments I hear from artists who paint in Oils is the odor of Mineral Spirits which most oil painters use on a regular basis. Many choose to use odorless Mineral Spirits which are less harmful, but lets face it you are still breathing the vapors whether you smell them or not.

Mineral spirits of any kind contain Aromatic Hydrocarbons, a basic solvent. Acute or Chronic exposure to breathing the vapors in an environment which is not well ventilated can cause headache, dizziness and in extreme cases has an effect on the nervous system similar to a state of narcosis.

Some artists also believe that a simple dust mask will protect them against inhalation of the vapors given off by Mineral Spirits, but this is a false belief. A dust mask does not conform to the face, which allows the vapors to enter at the sides of the mask or under the chin. The only dust mask that might be adequate is the North N95 mask which has a form fitting foam core that provides a tighter fit.

The better option for your personal protection particularly if you are doing any burning where fumes are created, such as burning designs on a gourd, is to use either a full face, or a half mask air purifying respirator as shown in the image at the beginning of this post.

The air purifying respirator particularly with the silicone face piece fits snugly on the face (clean shaven, no beards allowed), and prevents the inhalation of harmful vapors, and is a very affordable personal protection device.

The hard reality however is that the air purifying respirator is not exactly comfortable to wear, and many would choose not to wear it.

The best solution with regard to mineral spirits, is to not use them at all. After all, oil painters hundreds of years ago managed to work with oil paints without the use of any kind of solvents. An excellent article on this subject can be found by clicking this link Oil Painting Without Solvents. I decided recently to start painting in oils, and I have bought some walnut oil, and will try to avoid solvents as I find that I am sensitive to them.

The best practice is to read the Material Safety Data Sheet (MSDS) which the vendor must supply on demand at time of purchase. Or you can find the MSDS for pretty much any kind of hazardous product on the Internet.

So in closing, take precautions and protect your health from the hazardous products that you might be using.

Below are a couple of quick links where you can purchase a respirator online at a reasonable cost.

North Half Mask Respirator

North N95 Particulate Mask

How To Mix Colors For Oils And Acrylic Paints

Here is a great video clip for a book devoted to how to mix colors for oils and acrylics with a sure fire practical method. The video shows how you can easily find a color by looking at an index of subject matter such as the color of hay for instance.

In the book there is a piece of plastic with a measuring guide printed on it that allows you to measure out a precise amount of paint onto a plastic sheet which is defined by the mixtures of the particular color that you have chosen.

Now that I am venturing into the challenge of painting in oils, this book has become a must buy in order to avoid wasting paint in guessing at the mixture when I am choosing a particular color to paint.

I am buying my copy today, what a wonderful idea for the artist's tool box.

For more information on color mixing read my post on How To Make Your Own Color Chart

Get Your Copy Now